Testing the CRT monitors at MoMA. Photo: Glenn Wharton

After exhaustive research prior to conserving Untitled (Piano), it was time for reflection. MoMA curators and conservators discussed the difficult decisions ahead. We knew that Nam June Paik playfully changed his works with each installation, and often incorporated new audio and video technologies into his older video sculptures. Should we continue this tradition, or freeze the existing technologies at the moment of his death?

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