Managing Contemporary Art Documentation in Museums and Special Collections. (with Deena Engel). Art Documentation Journal. (forthcoming).

Museum/University Collaboration in Media Conservation Research. (with Deena Engel). The Electronic Media Review. Washington D.C.: American Institute for Conservation (forthcoming).

Pacific Studies. Book Review Forum featuring Wharton, Glenn. The Painted King: Art, Activism, and Authenticity in Hawai’i. Reviews by Stacy L. Kamehiro, University of California, Santa Cruz; Aaron Glass, Bard Graduate Center; Karen Stevenson, University of Canterbury; Author Response by Glenn Wharton. December 2016. 39:3. 375-417.

The Challenge of Installation Art. (with Harvey Molotch). Reprinted for Symposium: Fixing What Isn’t Broken: What is Reconstruction in Contemporary Art? Riga: Latvian Centre for Contemporary Art. 2016. Originally published in (A. Bracker & A. Richmond eds.) Conservation: Principles, Dilemmas, and Uncomfortable Truths. London: Elvsevier. 2009. 210-222. Download PDF.

Artist Intentions and the Conservation of Contemporary Art. Objects Specialty Group Postprints, Volume Twenty-Two. Washington D.C.: American Institute for Conservation. Download PDF.

The Artist Archives Project – David Wojnarowicz. (with Deena Engel & Marvin Taylor). Studies in Conservation. London: International Institute for Conservation. Vol. 61. 2016. S2-241-247. Download PDF.

Reconfiguring Contemporary Art in the Museum. In Erma Hermens (ed.) Authenticity in Transition: Changing Practices in Art Making and Conservation. London: Archetype Publications. 2016. 27-36.

Conserving Computer-Based Art at The Museum of Modern Art. Arte Contemporáneo en (sala de) Guardia. Buenos Aires: Fundación Telefónica. 2016.

Public Access in the Age of Documented Art.  Revista de História da Arte – Série W. Lisbon: Instituto de História da Arte. 2015. 180-191. Download PDF.

Source Code Analysis as Technical Art History. (with Deena Engel). Journal of the American Institute for Conservation. 54:2. 91-101.

An Art of Social Studies. (with Harvey Molotch). In Kataoka Mami (ed.) Lee Mingwei and His Relations: The Art of Participation. Tokyo: Mori Art Museum. 2014. 121-128.

Conserving L’Idea del Cavaliere by Marino Marini at the San Diego Museum of Art. Boletim Seminário Interno de Conservação de Escultura Moderna. São Paulo: MAC USP. September 2014.

Reading Between the Lines: Source Code Documentation as a Conservation Strategy for Software-Based Art. (with Deena Engel). Studies in Conservation. London: International Institute for the Conservation of Historic and Artistic Works. 2014. 58:1. Download PDF.

Disrupted Circuits: Managing Nam June Paik Video Sculpture at the Museum of Modern Art. In Nam June Paik Art Center Interviews. Seoul: Nam Jun Paik Art Center. 2013. 150-169. Download PDF.

The Painted King: Art, Activism, & Authenticity in Hawai’i. Honolulu: University of Hawai’i Press. 2012.

A Case for Digital Conservation Repositories. (with Barbra Mack). The Electronic Media Review. American Institute for Conservation.  Vol. 1. 2011.  37-58.

Sweetness and Blight:  The Conservation of Chocolate Works of Art. (with Sharon Blank & Claire Dean). Proceedings from conference:  From Marble to Chocolate: the Conservation of Modern Sculpture. Tate Gallery.  London.  1995. Reprinted in C. Caple (ed.) Preventive Conservation in Museums.  London and New York: Routledge. 2011. 456-468. Download PDF.

Inside Installations. (edited with Tatja Scholte). Amsterdam: University of Amsterdam Press. 2011.

Research and Training in a Field Conservation Laboratory: Kaman-Kalehöyük. In Williams, E & C. Peachey (Eds.) The Conservation of Archaeological Materials: Current Trends and Future Directions. Oxford: Archaeopress. 2010. 33-3. Download PDF.

Collaboration and Community Involvement in Archaeological Conservation. In Williams, E & C. Peachey (Eds.) The Conservation of Archaeological Materials: Current Trends and Future Directions. Oxford: Archaeopress. 2010. 201-204. Download PDF.

Dynamics of Participatory Conservation: The Kamehameha Sculpture Project. Journal of the American Institute for Conservation. Vol. 47. 2008. 159-173. Download PDF.

The Challenges of Conserving Contemporary Art. In Altshuler, Bruce (ed.) Collecting the New: Museums and Contemporary Art. Princeton: Princeton University Press. 2006. 164-178. Download PDF.

Indigenous Claims and Heritage Conservation: An Opportunity for Critical Dialog. Journal of Public Archaeology.  4: 2005. 199-204. Download PDF.

Planning Physical and Conceptual Longevity in Public Art Commissions. Public Art Review. 32. Spring 2005. 36-37.

The Role of Conservation in the Design of Conceptual Monuments.  In Monuments & the Millennium Proceedings of a joint conference organized by the Stone and Metal Sections of UKIC and English Heritage.  20-22 May 1998. English Heritage. London. 2001.

Guide to the Maintenance of Outdoor Sculpture. (with Virginia Naudé). American Institute for Conservation, Washington D.C. 1992.

A Comparative Study of Silver Cleaning Abrasives.  Journal of the American Institute for Conservation. Vol. 29, 1990. 13-32.

The Conservation of an Eighteenth Century Medallion Beaker by Johann Joseph Mildner.  The Conservator. London: United Kingdom Institute for Conservation. 11:1987. 42-45.

Technical Examination of Renaissance Medals:  The Use of Laue Back Reflection X-Ray Diffraction to Identify Electroformed Reproductions.  Journal of the American Institute for Conservation.  Vol. 23. 1984.  88-100.